{"id":1612,"date":"2010-06-29T00:00:53","date_gmt":"2010-06-29T04:00:53","guid":{"rendered":"https:\/\/dwan.org\/?p=1612"},"modified":"2020-04-08T06:30:44","modified_gmt":"2020-04-08T10:30:44","slug":"on-college-a-cappella","status":"publish","type":"post","link":"https:\/\/dwan.org\/index.php\/2010\/06\/29\/on-college-a-cappella\/","title":{"rendered":"On college a cappella"},"content":{"rendered":"\n<p>I&#8217;m now safely past the 10 year anniversary of the last time I took the stage with a college a cappella group. In honor of that, I figure it&#8217;s time to share some of the thoughts that were incubating way back when and have now come to fruition.<\/p>\n\n\n\n<p>First off, I love you guys. No offense here if I ever sang with you, if you were ever (or still are) a fan, or whatever. However, it&#8217;s well past time to be blunt. I&#8217;m not talking to any particular year of any particular group here. As usual, I&#8217;m just talking to myself.<\/p>\n\n\n\n<p>First off: <strong>1) No single performance style has any sort of a lock on &#8216;awesome.&#8217;<\/strong> Not a cappella, not spoken word, not steel drum. Nothing. Therefore: <strong>2) Just doing a song using only your voices does not make it awesome.<\/strong><\/p>\n\n\n\n<p>It blows my mind the extent to which we believed that we could do a song <strong>better<\/strong> than the original artist by dint of taking away the drums and bass, and forcing a baritone to squeak out a tenor solo. It <strong>double<\/strong> blows my mind that I objected so strenuously to the use of amplification &#8211; that I objected to structured choreography and the basics of showmanship &#8211; and that I whinged about allocating solos to anyone but the empirically best voice for a given part. Musical groups formed exclusively for the mutual pleasure of those involved are called &#8220;chamber,&#8221; ensembles. They should meet weekly in someone&#8217;s living room to sing for each other, and have a glass of wine afterwards. However, if you choose to take your friend&#8217;s money for tickets to your show &#8211; you owe them the empirically best show you can put on. That means that the clever and well meaning bass doesn&#8217;t get a solo. Sorry, dude.<\/p>\n\n\n\n<p>In that light, to the extent that I exercised a leadership role in my singing groups &#8211; I (seemingly) thought that I was in a chamber ensemble, and that our concerts were extensions of the chamber music to a small community of close friends. I really wanted everyone in the group to have a good time &#8211; and I pushed some really dumb musical ideas while tilting at that particular windmill. Most of the conflict that I encountered in those years of music can be traced to this unacknowledged bias. That, or the fact that I was sort of a self-involved dick. One or the other.<\/p>\n\n\n\n<p>To my credit, I knew this at the time. I had glimmerings &#8211; and I was starting to talk about how there is value to art made <strong>for each other<\/strong> in a small group, rather than pablum sold to the masses for profit. Value to the ability to make our own entertainment rather than being spoon fed. Value to finding a way to contribute to your community rather than just finding a job. Value to art and passion. I didn&#8217;t know what to do with that, back then. Now I do: Small venues for donations &#8211; if you feel like it. We wanted to be rock stars &#8211; and we gimped ourselves along the way.<\/p>\n\n\n\n<p>To the point: <strong>3) A cappella is not a great voicing for rock<\/strong>.<\/p>\n\n\n\n<p>From time to time I hear a song on the internet and think &#8216;that would be good a cappella.&#8217; Far more often, I hear one and think &#8216;dear god, we would have mangled that.&#8217;<\/p>\n\n\n\n<p>Hm, thought there was more to that thought. Oh well.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m now safely past the 10 year anniversary of the last time I took the stage with a college a cappella group. In honor of that, I figure it&#8217;s time to share some of the thoughts that were incubating way back when and have now&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[],"class_list":["post-1612","post","type-post","status-publish","format-standard","hentry","category-real-life"],"_links":{"self":[{"href":"https:\/\/dwan.org\/index.php\/wp-json\/wp\/v2\/posts\/1612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dwan.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dwan.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dwan.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dwan.org\/index.php\/wp-json\/wp\/v2\/comments?post=1612"}],"version-history":[{"count":1,"href":"https:\/\/dwan.org\/index.php\/wp-json\/wp\/v2\/posts\/1612\/revisions"}],"predecessor-version":[{"id":1613,"href":"https:\/\/dwan.org\/index.php\/wp-json\/wp\/v2\/posts\/1612\/revisions\/1613"}],"wp:attachment":[{"href":"https:\/\/dwan.org\/index.php\/wp-json\/wp\/v2\/media?parent=1612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dwan.org\/index.php\/wp-json\/wp\/v2\/categories?post=1612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dwan.org\/index.php\/wp-json\/wp\/v2\/tags?post=1612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}